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Featured Stories
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Fashion Matters In Tough Times, Says Top Designer
11 November 2011 4:59 PM | No Commentsby NPR STAFF
If you pay attention to the Emmys and Academy Awards, then you’ve probably seen those glamorous, haute couture gowns made by Kevan Hall. He’s known for dressing A-listers like Vanessa Williams, Salma Hayek, Celine Dion — even first lady Michelle Obama.
His work has earned him multiple awards. After studying fashion design at Cass Technical High School in Detroit, he won a scholarship sponsored by the Fashion Institute of Design and Merchandising. After graduating, he won the Peacock Award for Outstanding Fashion Design. In 1989, the NAACP named him the Great American Designer, and in 2005, Life & Style Magazine named him Stylemaker of the Year.
Among the handful of top African-American designers in the country, Hall centers his work in Los Angeles. He’ll be showing off his 2012 bridal and ready-to-wear collections Friday at the Washington Club in the nation’s capital.
More here.
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African designers steal the show
11 November 2011 4:50 PM | No CommentsBy WANGUI MAINAWalking tall at 1.78 metres, Kenyan model Ajuma Nasenyana,, walked to the front to be crowned Model of the Year at this year’s Africa Fashion Week held in Johannesburg, South Africa two weeks ago.
An international model, Ajuma was one of the models who took to the catwalk to showcase some of the continents leading talent. In its eighth year, Africa Fashion week brought together 30 designers, based on the continent and beyond, to showcase their designs at the Sandton Convention Centre for three days last month.
More here.
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Assistant Professor, Graphic Design at California College of the Arts (CCA)
12 October 2011 8:03 PM | No CommentsASSISTANT PROFESSOR, GRAPHIC DESIGN, SAN FRANCISCO CAMPUS, FULL-TIME, TENURE-TRACK, EXEMPT, JOB # 2069
October 2011
Founded in 1907, California College of the Arts (CCA) is an independent art college with undergraduate programs in architecture, design, fine arts, visual studies, and writing. The college also has graduate programs in architecture, curatorial practice, design, design strategy, fine arts, visual and critical studies and writing. Through these programs, the college has created a dynamic and interdisciplinary environment. Diverse cultural perspectives enrich the CCA community and the college believes that continuing to expand the horizons of the students and faculty is essential to achieving its educational objectives. With campuses in Oakland and San Francisco, CCA currently enrolls 1,930 full-time students.
DEPARTMENT SUMMARY:
The Graphic Design Program at CCA offers a fully accredited four-year undergraduate Bachelor of Fine Arts degree in Graphic Design. The program is dedicated to conceptual and skill-based problem-solving grounded in practical knowledge, critical awareness, and social and cultural engagement. Guided by an active and accomplished faculty, students are exposed to diverse design perspectives and practices and encouraged to develop a culturally competent and personally committed point of view. CCA’s Interaction Design Program takes a studio-based, collaborative, and playful approach to training future interaction designers, equipping them with a unique mix of skills to shape their field. The Graduate Program in Design prepares its graduates for careers in innovative design practice, including design direction, strategy, and leadership. Situated at the heart of the Bay’s Area’s vibrant design culture, these programs benefit from a rich community of practitioners and a compelling context for projects.
POSITION SUMMARY:
CCA seeks candidates for a full-time, tenure-track position of assistant professor of graphic design, beginning fall 2012. This position has been created to support the development of the program’s 4D curriculum. The successful candidate will demonstrate an active interest in the evolving relationship between graphic design and screen-based media and a capacity to steer curricular and pedagogical change in this area.
In keeping with the college’s commitment to diversity, community engagement, and social justice, we seek candidates who will cultivate an equitable studio environment and a diverse curriculum. In addition to teaching (a full-time load is five lines per year) and participating in the undergraduate Graphic Design program, the position requires a readiness to teach in the Interaction Design, Graduate Design, and First Year Programs, mentor students in the major, and serve on college-wide committees. It also entails a commitment to continued professional work.
MINIMUM QUALIFICATIONS:
A BFA degree in Graphic Design (or equivalent professional degree and/or experience) with a minimum of one year of teaching experience at the college level or two years of professional experience in the field. Applicants should present evidence of leadership ability and the potential to make significant contributions in their field of practice. They should have a strong commitment to design education and a keen interest in design-related technologies. Specifically, CCA seeks candidates who demonstrate conceptual agility and practical aptitude with respect to the dynamics linking graphic design and screen-based media. Please submit at least five projects that provide evidence of front- and/or back-end skills and practice in one or more of the following areas: interface, interaction, video, motion graphics, or mobile/other platforms. Professional and/or educational experience in collaborative interdisciplinary contexts, project-based community engagement, and design writing and research are also desirable.
SALARY: Commensurate with experience, and includes a comprehensive benefits package.
APPLICATION DEADLINE:
Postmark deadline for applications is January 20, 2012.
NOTE: If you wish to be notified of the status of your application for this position, please provide a current email address on your resume or cover letter.
application instructions:
Interested candidates should submit the following in .pdf format:
- A formal letter of application
- A brief statement of teaching philosophy highlighting areas of pedagogic concentration
- A curriculum vitae
- A portfolio of professional work
- Course syllabi and student work
- Student evaluations of recent courses taught at the college level.
- Three names of reference, including contact information
Note: A self-addressed, stamped envelope is required for return of submission materials.
California College of the Arts
Human Resources (Job # 2069)
5212 Broadway
Oakland, CA 94618-1487
Fax (510) 594-3681
employment@cca.edu
We recommend compressing/zipping your files into a zip format file. Documents larger than 10MB, should be submitted on CD and forwarded to CCA as indicated above.
CCA is an equal opportunity employer and encourages applications from individuals who will contribute to its diversity.
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Position: Chair, Industrial Design at California College of the Arts (CCA)
12 October 2011 7:47 PM | No CommentsCHAIR, INDUSTRIAL DESIGN, SAN FRANCISCO CAMPUS, FULL-TIME, EXEMPT, JOB # 1968
October 2011
The CCA Industrial Design program
The Industrial Design program at CCA offers a fully accredited four-year undergraduate Bachelor of Fine Arts degree in Industrial Design. Industrial Design is among the fastest growing programs at CCA and reflects the dynamic nature of the field. Specific areas of interest include sustainability, urban mobility, design research, community engagement, and cultural analysis. For more information about the program mission, visithttp://www.cca.edu/academics/industrial-designCalifornia College of the Arts (CCA) invites applications and nominations for the position of Chair of the Industrial Design Program.
The profession of industrial design is expanding to more areas of influence than ever before. Designers have the opportunity to impact social, environmental and political outcomes. Consequently, the way we educate designers matters now more than ever. Merging visionary leadership, curriculum development, and professional and community connections, the Industrial Design Chair plays an essential role in shaping the next generation of industrial designers, who will tackle some of the most pressing concerns of our time.
The Chair of Industrial Design is a key player in the CCA and surrounding communities with access to the Bay Area’s most notable practitioners. The successful candidate will approach the development of a practical and critical design curriculum as a creative and intellectual opportunity and demonstrate a capacity to incorporate diverse cultural and practical perspectives in shaping curriculum, directing pedagogy, and building community.
The chair position is a full-time position throughout the 9.5-month academic year. A program manager provides administrative and organizational support, and faculty coordinators assist with specific aspects of the program, including internships, student reviews, technology support, sustainability and semantics. The director and assistant director of Design provide guidance and oversight for curriculum development, faculty selection, scheduling and accreditation reviews.
Specific Responsibilities of the Chair of Industrial Design
- Lead the program in attracting and retaining the most promising Industrial Design students.
- Design a curriculum that combines skills acquisition, design research, conceptual thinking, and professional preparation.
- Encourage collaboration between Industrial Design and other CCA programs.
- Establish external relationships with the professional design community, including sponsored studio partnerships.
- Promote the visibility of the Industrial Design program locally, nationally and globally.
- Hire and mentor faculty to reflect a wide range of experiences and perspectives.
- Organize subject-specific student workshops throughout the academic year.
- Teach at least one class per semester.
- Direct the academic and administrative operations of the program.
- Oversee ongoing program assessment and prepare for accreditation reviews.
MINIMUM QUALIFICATIONS:
Professional experience in the field of industrial design and its related practices: research, prototyping, manufacturing, materials, sustainability, human factors, interaction, design history and criticism, etc. Experience in design education, including teaching and a demonstrated capacity for curricular and extracurricular program development. Proven management experience in an academic or professional setting.
The ideal candidate will articulate a vision for the future of the program and the field that merges creativity, curiosity and craft. He/she will demonstrate the ability to lead faculty, students and staff, and address diverse design practices that combine professional development, cultural awareness, and community engagement.
SALARY: Salary is commensurate with experience and includes a comprehensive benefits package.
APPLICATION DEADLINE:
Review of applications will begin January 17th, 2012. Recommended document file formats are Word or PDF. If there are multiple attachments, we recommend compressing/zipping your files into a zip format file. NOTE: If you wish to be notified of the status of your application for this position, please provide a current email address on your resume or cover letter.
APPLICATION INSTRUCTIONS:
Applicants are invited to submit their CV and a letter of interest that addresses their vision for the future of Industrial Design, in both education and the profession, as well as their philosophy of leadership and pedagogy. Applicants should also submit the names and contact information of three professional and academic references. Submit materials to:
California College of the Arts
Human Resources (Job # 1968)
5212 Broadway
Oakland, CA 94618-1487
Fax (510) 594-3681
Recommended document file formats are Word or PDF. If there are multiple attachments, we recommend compressing/zipping your files into a zip format file. Documents larger than 10MB, should be submitted on CD and forwarded to CCA as indicated above.
CCA is an equal opportunity employer and encourages applications from individuals who will contribute to its diversity.
Founded in 1907, California College of the Arts (CCA) is an independent art college with undergraduate programs in architecture, design, fine arts, visual studies, and writing. The college also has graduate programs in architecture, curatorial practice, design, design strategy, fine arts, visual and critical studies and writing. Through these programs, the college has created a dynamic and interdisciplinary environment. Diverse cultural perspectives enrich the CCA community and the college believes that continuing to expand the horizons of the students and faculty is essential to achieving its educational objectives. With campuses in Oakland and San Francisco, CCA currently enrolls 1,930 full-time students.
Read More -
Job Postings on this site with BDNN
12 October 2011 7:36 PM | No CommentsBeginning November 1, BDNN will charge for all job postings on website.
- Please inquire by email at atim@blackdesignnews.com
Until September 30, 2011, all postings at BDNN are free. We have a right to select what we post.
Read More
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Fashion Matters In Tough Times, Says Top Designer
Haiti Earthquake Archive
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Moving on to 2011: Better things and good fortune
Posted on January 4, 2011 | No Commentsby Atim Annette Oton
2010 was a hard year for the design industry. It was even harder on black designers across all the sectors Black Design News Network (BDNN) - Architecture, Fashion Design, Graphic/Media Design, Interior Design, Product Design and Urban/Landscape Design. Most of the news was focused on the closing of firms and surviving the recession. The real major mews was the Haiti Earthquake which captivated the design industry and spurred a few design competitions and a lot of fundraising. After a year, very little has changed in Haiti. As one black designer from New Orleans said, “we are still here trying to get over the New Orleans disaster, how can we real help in Haiti?” It is a good question. Haiti begs a series of questions but it really asks: what is the role of designers before and after disasters? BDNN came to Haiti with that perspective and continues to explore this question.
2011 is the year of the rabbit. The Chinese say it best: “A placid year, very much welcomed and needed after the ferocious year of the Tiger.” For 2011, here are some predicted trends:
- Design – http://www.builderonline.com/design/10-design-trends-for-2011.aspx
- Green Design - http://michellekaufmann.com/2011/01/green-design-predictions-for-2011/
- Technology – http://www.computerworld.com/s/article/352068/5_Trends_to_Watch_in_2011
- Architecture – http://www.builderonline.com/design/10-design-trends-for-2011.aspx
- Interiors – http://www.independent.co.uk/life-style/house-and-home/interior-design-trends-of-2011-emotional-austerity-rebalancing-2155207.html
There are good things in store for 2011. 2010 taught us all a few major lessons: Have a Plan A, B, C and even a Plan D. Life can change dramatically. Update your resume monthly and be ready to work globally. 2011 is about what we learnt from 2010 and how we can function better.
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After Catastrophe, Before Design: Rebuilding Haiti after the Earthquake.
Posted on October 15, 2010 | No Comments6:30 Monday October 18th
at Avery Hall
Please join the Latin Lab Debate at Columbia University
Speakers: Dowoti Desir; Charles Marks, architect; Marc Andre Franche, UNDP Haiti; and Jesse M. Keenan, University of Miami will be speaking at a forum moderated by Clara Irazabal for what should be a robust discussion.
Details:
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Black Design News Network (BDNN): Its evolution and how it became involved in Haiti
Posted on October 12, 2010 | No Commentsby Atim Annette Oton, co- Founder, BDNN
“Architecture is Revolution. Architecture is Social Change. It is about changing the world for the better through design and action”. – The late architect, J. Max Bond [1]
Dateline: October 8, 2009 – St. Louis, Missouri
A panel discussion on African Design History at the 2009 NOMA Conference with Jack Travis, Renee Kemp-Rotan and William Stanley spurred the desire for a need for a funded “institute, place, vehicle or organization” to document the work of black architects, do research and promote the work of black architects”. At that meeting, I spoke about taking that the mantle and I committed to search for funds. I also asked for a commitment of support from the three panelists and from Dr. Curtis Sartor, Dean and Professor of Art, Design and Architecture at Judson University, and the only African American Dean of an architecture school in the US, who was in the audience.
Dateline: October 15-December 15, 2009 – Brooklyn, New York and Birmingham, Alabama
By the end of October, and back in New York, I began conducting an extensive grant search process to create the institute which I envisioned as online news agency and distribution service. By November, I had a series of grants and zeroed in on a distinct one that could potentially seed, develop and fund the project. The Knight Ridder News Challenge Grant was the perfect vehicle to create this new venture. The grant was to “seek innovations that use new or available technology to distribute content in local communities with three rules to apply: Use digital, open-source technology; distribute news in the public interest and test your project in a local community” [2].
Over the month, I reached out to Renee Kemp-Rotan, Jack Travis, Bill Stanley and also to Curtis Sartor for support. Renee Kemp-Rotan eargerly jumped on board to fully participate in the process as she saw the “astronomical potential” of the project while the others committed to supporting the project. The idea became Black Design News Network (BDNN) and over about a month, Renee Kemp-Rotan (based in Birmingham, Alabama) and I (based in Brooklyn, New York) diligently and creatively crafted and evolved BDNN. For the grant, we evolved that:
“Using an interactive open-source online platform, Black Design News Network (BDNN) will create and disseminate local stories and content about our target group – black designers (African, African American and Caribbean) and underserved designers (Hispanic) in the fields of Architecture/Interiors; Industrial/ Product Design; Visual Communications/Graphics, and Fashion/Textiles.” [3]
Since of the number of black architects was about 2000, we recognized that the community small compared to what the grant focused on and we expanded the idea to include black and underserved designers. We saw the potential of BDNN as a think-tank, a generator of projects and enterprising research institute. We envisioned it as “a creative hive, a “work-space” hub for designers to develop projects, exchange ideas and share expertise across disciplines, without regard to geographic borders” [4]. We idealized about social change and ironically, the connection to Haiti was this bold statement we wrote below:
“This collaborative work space offers new ways to produce projects that benefit the public interest. These might include creating possible design solutions for sheltering the homeless in New York City, constructive solutions for recovery in New Orleans and other areas where natural disasters occur on a regular basis (the Carribean, etc.) or a Sustainability Model for Lagos, Nigeria that could be investigated by a team of interdisciplinary designers.” [5]
On December 15, we submitted the grant proposal expected a decision either way by January 15. It was clear to Renee Kemp-Rotan and I, that we had created, innovated and pioneered a extraordinary idea that needed to be a start-up in the genre of Silicon Valley ventures. Thus, we took our cue and began to look at the business as a Silicon Valley start-up and searched for grants, and venture capital funding.
TIMELINE: Jan 12, 2010: THE HAITI EARTHQUAKE
On January 12, as I watched the Haiti Earthquake unfold on CNN like so many others, I could not stop feeling powerless but by the next day, I realized, as a trained designer, I was not helpless. And I went back to my roots and philosophy on why I studied architecture – a belief in architecture as a social change engine – and as a student of the late architect Max Bond, a belief in something he was said to me when I was deciding to attend City College: “Architeture is Revolution. It is about changing the world for the better through design and action”. I recalled September 11 when I was watched the towers fall down from infront of Parsons School of Design and how I as a product design department associate chair – lead by the chair Anthony Whitfield, reconciled to have our students act and deal with the tragedy as designers. Thus, when it came to Haiti, I had to take action and began by “pressing the button” and sending emails to black architects and design thinkers about the need to engage in Haiti.
Dateline: January 13, 2010, Brooklyn, New York
GROUND ZERO – BDNN ENGAGING AND CONNECTING THE DOTS – INITIATING NOMA
I sent the following email to Steven Lewis, president of NOMA, Renee Kemp-Rotan and 35 others, other designers and design thinkers including 10 black architecture firm owners like William Stanley, Curtis Moody, Phil Freelon and Jack Travis.
“Steven, I have 2 key suggestions:
1. I think a statement from NOMA and a press release calling black architects to consider to assist, volunteer, contribute funds to Haiti, Haitian organizations such as YELE, FOLKAI, Doctors without Borders, etc.
2. I would like to suggest that NOMA and Black Architects consider contacting USAID to see what help and assistance can be given to Haiti – based on the earthquake.
The first priority seems to be a need for doctors but in times of crisis, and as the country goes forward, there will be a need for reconstruction, urban planning, development and architecture. Any thoughts” [6]
This trigger was the impetus for engaging in Haiti personally and professionally as the co-Founder of Black Design News Network (BDNN). The responses I received tell the story of how designers gather as a collective to develop strategies for social change even in crisis and are best read below:
Re: Black Architects, NOMA and Haiti Earthquake
From: Steven Lewis To: atim oton
Brilliant. Can you draft something for me to use as the basis for such a statement? I have inroads at USAID, so can probably get it in front of the right folks, but am time-challenged right now. Any help would be great to expedite this important mission. thanks, Steve
I agree with the two suggestions! Curt Moody
I can recommend the organization Building Goodness out of Charlottesville. They have experience in design/build community work in Haiti, and in disaster recovery after Katrina on the Gulf Coast. They do not have plans yet but will post news here: http://www.buildinggoodness.org/index.php/news/. At some point they will be looking for volunteers. Bryan Bell
Those of us who have done business with USAID and its associated agency ASHA (American Hospitals and Schools Abroad) might consider co authoring a letter to both agencies offering our assistance. While it is true that planning and development efforts logically follow some time after the rescue and retrieval efforts, the centuries of neglect of that country probably warrants a mammoth rebuilding effort akin to the Marshall Plan (or at the very least the Katrina effort). I will be in that part of the Caribbean for the next five days and will inquire of other practitioners what their plans of action might entail. Another idea is to utilize the services of our members who have specific experience with design in seismic regions.
Thanks. Bill Stanley
Atim, Following on the thought in Bryan Bell’s earlier email, Architects Without Borders and Architecture for Humanity are both groups that would have core initiatives to assist in this endeavor. We may even want to align ourselves with architect organizations in the Caribbean, e.g., Jamaica Institute of Architects, Barbados Society of Architects, etc. as well as organizations like OECS. Patrick Williams[7]
Steven Lewis’ response to my initial email set off the development of a press release by Renee and I for NOMA, the creation of the program and a committee to discuss how to engage in Haiti. What was set in motion ironically is what Renee Kemp-Rotan and I had conceived – an entity like BDDN to initiate action and involve designers. Thus, BDNN became a news bureau, online magazine, digital library and ‘workspace’ hub for designers.
The opportunity to create the press release also made us aware that Haiti was tri-lingual and we distributed in English and French – to 200 press people. We never did get it translated into Creole. We proved our thesis and the viability of BDNN as a news bureau as the press release got about 35 write-ups from Architecture Record to architecture blogs. BDNN participated and assisted NOMA in the creation of its Service in Solidarity (SIS) Committee on Haiti (of which Renee Kemp-Rotan and I were committee members as BDNN co-founders and NOMA members) and we were on board for spearheading the donation $10k for CHF International (an organization already working in Haiti) rather than the original idea of having initial members collect and send tents to Haiti (a good idea but logistically problematic when the country was in crisis).
Photo shows the damage after an earthquake measuring 7 plus on the Richter scale rocked Port au Prince Haiti just before 5 pm, January 12, 2010. Photo Credit: UN Photo/Logan Abassi, United Nations Development Programme
As a think-tank, Renee and I saw BDNN’s core focus on Haiti to get designers involved – socially, ethically and responsibly and to create new ways of thinking about disasters and crisis. We activated strategic thinking as core to seeking viable and well-thought out solutions. In this vain, the strategy was to get NOMA to the table with the decision makers in Haiti and in the US.
BDNN – The Plan and Projects: Pioneering Innovation
For BDNN to be a think tank and location for information, an online “beta site” (blog) was launched just after the Haiti Earthquake with the goal to have a fully developed comprehensive site by December 2010. The goals for BDNN this year include:
- Utillize Social media as a tool for spreading the news, BDNN is on Twitter, Facebook, Linkedin
Focus on being an issue oriented site: We settled on on Disasters this year. And n this vain, BDNN developed DISASTER SOS: HAITI, a panel discussion at NECON in June 2010; produced an all-day Haiti Conference Post-Earthquake Haiti : Disaster + Design in the Diaspora at the NOMA Conference in October 2010, applied for grants entitled DA BRONX SOS and CITIES UNDER SIEGE: Disaster in the Diaspora is an online publication led by members of Black Design News Network (BDNN) and victims of disaster to collectively investigate the impact of natural and made-made disaster in chronically underserved communities, worldwide; and targeting citizens of communities of color suffering ‘disaster’: The Earthquake & Port Au Prince, Haiti; Katrina, The Flood & New Orleans; Blight & The Bronx.
- Develop initiatives with designers and organizations via a Partnership Strategy and model.
As of today, we have worked with Rodney Leon supporting the Haiti Softhouse, NOMA, Lesley-ann Noel and Trinidad designers on their Big Give for Haiti, The Archive Institute on its competition, “Kay e Sante nan Ayiti”, Housing and Health in Haiti; Brooklyn Fashion Gallery on Haiti discussions. We have also partnered with Focus on Design, Designers 421, and Project Osmosis on Disaster SOS: Haiti, the Bronx Council on the Arts on several grants and their partnership with the AIA Diversity and Inclusion on sponsoring Post-Earthquake Haiti : Disaster + Design in the Diaspora in Boston.
- BDNN has worked on a series of grant applications to help us develop the site and develop its content and perspective. We have applied for a Knight News Challenge Grant, Graham Foundation, MacArthur J-Voices, NYC Seed Start, and other grants for BDNN with projects that would expand the reach and scope of what we currently cover.
- Support Design Research. The Haiti Culture Code is one such initiative, authored by Renee Kemp-Rotan, co-Founder of BDNN. She launched a call for papers in July.
As early as February, BDNN lead the charge in black design to identify the key players and decision makers in Haiti and its Reconstruction. We outlined who black designers should look to: Haitian Government; Haitian people – in Haiti and across the Diaspora; United Nations (UN); World Bank; Clinton Foundation/Clinton Bush Foundation; Inter-American Development Bank (IDB); Congress- in particular Yvette Clarke and Ed Towns in Brooklyn and US Government. They also included: France, Canada, South American and Caribbean Countries; UNA-HAITI – Haitian American/Haitian Diaspora Organization.
To do this work, Renee Kemp-Rotan and I attended meetings over February 2010 until July 2010 on Haiti – and represented NOMA at some and BDNN at some. These meetings include events held by the UNA-HAITI at the UN; Haitian Cultural Exchange at the Brooklyn Museum; Brooklyn International Development Trade Center (BIDTC) at Brooklyn Borough Hall; Congresswoman Yvette Clarke and USAID event in Brooklyn; Haiti Invitational Summit organized by the American Institute of Architects/Puerto Rico (AIA/PR), and Organization of American States (OAS) Meeting of Haitian Diaspora in Preparation for International Donor Conference in DC.
In October, BDNN unveiled its Post-Earthquake Haiti: Disaster + Design in the Diaspora, a one-day conference to update NOMA, Boston design comnmunity, the Haitian Diaspora and others about Haiti. We presented four panels:
- PANEL 1- Post-Earthquake Haiti as a Physical System: Rebuilding the Country: The Full Monty Update
- PANEL 2: Post-Earthquake Haiti as a Social System: Rebuilding the Family: Women and Children at Risk
- PANEL 3 Post-Earthquake Haiti as a Cultural System: Rebuilding Identity: The Haiti Culture Code- Architecture, Disaster + Cultural Identity
- PANEL 4 – Post-Earthquake Haiti as an Economic System: Rebuilding the Economy: Getting Work in Haiti
More details on this one-day conference will be online soon.
On Haiti and at our website, www.blackdesignnews.com, BDNN has and is continually gathering information, seeking articles and content on Haiti, Design and Reconstruction. Our goal was also to become the culture experts on Haiti and the place to go to for information on Haiti. In that end, we created an online newsletter to reach our audience – black designers and to begin to create a database of subscribers.As we evolve, BDDN will identify black designers who ‘infuse unique identity into creative culture’ and transform ‘the aesthetics of dominant culture’, via 4 web-based components: 1.) a digital news bureau to broadcast; 2.) an online magazine to document the work; 3.) a digital design studio/workspace to collaborate; and 4.) a digital library to archive exemplary design, education, practice projects that serves to promote the worldwide contributions of designers from the African Diaspora.
We consider BDNN as a clearing house, and have coined the slogan: BDNN is the 411 of the black design diaspora, as envision a global reach.
__________________
[1] This is an excerpt from my discussion and meeting with the Dean Max Bond in 1987 at City College when I was trying to decide to attend City College.
[2] Retrieved from Knights News Challenge Website: http://www.newschallenge.org/
[3] Oton, Atim Annette and Renee Kemp-Rotan (2009), Black Design News Network (BDNN), a proposal for the Knights News Challenge Grant, Submitted December 15, 2009.
[4] Oton, Atim Annette and Renee Kemp-Rotan (2009), Black Design News Network (BDNN), a proposal for the Knights News Challenge Grant, Submitted December 15, 2009.
[5] Ibid.
[6] Oton, Atim Annette, Personal Haiti Email Archive, Discussions, January 13, 2010 – July 2, 2010.
[7] Oton, Atim Annette, Personal and part of BDNN’s Haiti Email Archive, Discussions, January 13, 2010 – July 2, 2010.
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2010 Haitian Design Showcase in NY – October 4
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Kay e Sante nan Ayiti: An International Design Competition – launches July 12
Posted on July 12, 2010 | No CommentsARCHIVE invites you to the launch of Kay e Sante nan Ayiti: An International Design Competition
The Kay e Sante nan Ayiti (Health and Housing in Haiti) project is an open-innovation design competition to solicit ideas and strategies from architects, designers, medical health specialists and the general public. The project focuses on the use of housing design as a key strategy in combating the transmission of tuberculosis in Haiti.
The competition will be launched July 12 with Ambassador Leslie Voltaire, UN Special Envoy for Haiti and Charles King, CEO, Housing Works. The website for the competition is http://www.archiveinstitute.org/haiti/
Members of the jury include, among others:
- Zaha Hadid Architects: One of the world’s leading architects
- Mr Graham Saunders: International Committee of the Red Cross
- Dr Leopold Blanc: Stop TB, World Health Organisation
About the Archive Institute
Architecture for Health In Vulnerable Environments (ARCHIVE) is a non-profit organisation implementing community projects, using one basic NEED – Housing, to deliver one basic RIGHT – Health. Visit their website at ARCHIVE. -
The Haiti Culture Code: An International Call for Papers
Posted on June 30, 2010 | 1 CommentTOWARDS A POST-EARTHQUAKE DEVELOPMENT MANUAL
by Renee Kemp-Rotan, author of the code
A Culture Code for Haiti: The Rebuilding of National Identity through Architecture (NIA) assumes that culturally informed architecture can help to fulfill new national ideals, through rebuilding Haiti as a utopian civilization with NIA/purpose.
First, The Culture Code will outline a comprehensive framework of 100 cultural considerations advanced across the socio-economic geography of pre-colonial, colonial, post-colonial and post-earthquake Haiti, in a way that informs all future design and development.
Second, The Culture Code is an international call for papers to address 100 topics on Haitian culture, politics and space for:
- cultural anthropologists
- geographers
- policy planners
- urban designers
- architects
- developers
- economists
- historians
- disaster experts
Third, The Culture Code will meld ‘form and content’ data collected above to propose a series of design principles structured to influence all future and permanent master plan efforts in the rebuilding of post-earthquake Haiti. Thus both quantitative and qualitative design decsions can be made.
Fourth, The Culture Code will develop specific ‘pilot prototypes’ that lead to a system of development contracts that follow best practices for town planning/settlement building/housing designs (macro and micro) that are culturally significant, replicable, yet influenced by population capacity, location, geography, transportation, communication and resources.
The code is authored and edited by Renee Kemp-Rotan, co-Founder of Black Design News Network.
More details, visit http://www.haiticulturecode.com
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Haitian Government Announces Housing Design Competition and Trade Show
Posted on June 30, 2010 | No CommentsOn June 17, the government of Haiti announced a design competition, Building Back Better Communities, in preparation for a housing expo in October. The deadline for the first stage of the competition is Monday, July 5. More information and application materials can be found here.
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Disaster SOS: Haiti – Framing 13 Questions
Posted on June 15, 2010 | No Commentsby Renee Kemp-Rotan
Questions to reflect on:
1. how can trained designers make a special contribution to the rebuilding of Haiti?
2. how can trained designers who are also from the Diaspora make a special contribution to the rebuilding of Haiti?
3. list those actions that need to occur in order to efficiently rebuild the country of Haiti, post-earthquake.
4. how does the world tend to deal with immense natural disasters throughout the world; and within the Diaspora?
5. how might you compare the disaster response to Katrina with the disaster response to Haiti?
6. what do you think of the idea of developing post-earthquake Haiti as the new utopia for the Diaspora?
7. what cultural principles must not be overlooked in developing a sustainable post-earthquake Haiti?
8. how might your firm or organization better contribute to a more sustainable culture in Haiti?
9. does your firm recruit culture experts to collaborate with its technical experts on on how to rebuild a civilization?
10. how might authorities on culture and authorities on infrastructure best strategize long-lasting solutions?
11. how might the effectiveness of that collaboration be best planned, prioritized, measured and implemented?
12. might your company wish to collaborate on the design of a pilot project in Haiti that tests the principles of ‘a culture code’?
13. in what ways might your understanding of Haitian culture inform the design decisions that your firm produce there?
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Disaster SOS: Haiti, a BDNN panel discussion at NEOCON in Chicago, June 15
Posted on June 10, 2010 | 1 CommentDISASTER SOS: HAITI
Date: Tuesday, June 15 Time: 2-4 p.m.
Presented by: The Black Design News NetworkLocation: IIDA Learning Center, 567 Merchandise Mart
Fee: $15 at the door CEU: 0.2A thought provoking forum on Haitii with some experts from the fields of design, planning, international development and cultural anthropology. The forum will involve critical thinkingabout shelter and disaster with a focus on planning, cause and effect, and risk management after a disaster.
This session will be followed by an interactive discussion and networking hour for potential collaborations and partnerships from 4–5 p.m. Sponsored by IIDA, FocusOnDesign, Designers for the 21st Century (D421), Project Osmosis, and The Black Design News Network
Speakers:
- Kerl LaJeune, architect, Founder and Principal at Atelier Azara,
- Renee Kemp-Rotan - urban designer and co-founder, Black Design News Network;
- Atim Annette Oton, architectural designer and co-founder, Black Design News Network;
- Bryan Hudson, Architect, principal at SOMA Design Consultants Inc.;
- Lee Bey, African American writer/architectural critic.
RSVP or register contact Atim Oton, co-Founder of the Black Design News Network atimoton@yahoo.com. Registration also accepted at the door.ALSO SEE THESE PARTNER EVENTS:
Design Interchange: An Avant-Garde Approach to Success [AF8]
Date: Monday, June 14
Time: 4 – 5p.m.
Credits: 0.2 CEU
Fee: $15, Register on site at the Merchandise MartDesign Interchange Networking Event
Date: Monday, June 14
Time: 5:30 – 7p.m.
Fee: $5 at the door (free to attendees of Design Interchange)
Presented By: The KOHLER Store
Location: The KOHLER Store, 100 Merchandise Mart
Sponsored By: Project Osmosis, FocusOnDesign, Designers for the 21st Century (D421) and The Black Design News NetworkFor more information go to focusondesign.org or designers421.org
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The Haiti Softhouse launches in New York
Posted on May 28, 2010 | No CommentsAbout the SoftHouse:
The HaitiSOFTHOUSE is a flexible and sustainable approach to shelter that provides immediate transitional housing, community development and reconstruction solutions.
The Haiti SoftHouse is a flexible and sustainable approach to shelter that provides an immediate transitional solution for short term housing, community development and reconstruction. The shelter is designed to withstand tropical storms and hurricanes with up to 130mph winds, resist earthquakes, and provide a healthy, well ventilated environment. The flexibility of the structure allows for multiple unit combinations, addressing domestic space needs, institutional needs and community needs.
The design features a lightweight and easy-to-assemble structural steel frame that receives a modern, breathable, high performance fabric with excellent weather capabilities. The structure can be mounted on a concrete slab or integrate into a prefab concrete foundation manufactured locally from recycled concrete rubble. The structure is designed to be assembled with few people in one day or less.
Given the superior environmental performance and structural stability of the design, this system can be reused in various configurations and sites as needed and the high-performance material can be recycled into smaller applications and integrated into the local economy at the end of the shelter’s life cycle.
The Haiti SoftHouse project and HiBIscus, have identified a site in Jacmel, Haiti with the assistance of The Rural Haiti Project for the initial construction of prototypes for field testing by June of 2010. In conjunction with the Rural Haiti Project, the Haiti SoftHouse is intended to expand and evolve into the Jacmel SOFTVILLAGE in 2010. The Haiti SoftHouse shall serve as an active case study for implementation of transitional communities and allow time for more comprehensive long term sustainable strategies for permanent reconstruction and development in Haiti.
The Haiti SoftHouse initiative goes beyond providing a unique and effective design solution by identifying strategies for local manufacture and distribution once the initial prototyping is complete. In this sense, the Haiti SoftHouse, through implementation has the capacity to stimulate the local economy and transfer design and fabrication expertise in a manner that promotes sustainable solutions which transform local communities both environmentally and economically.
Haitian American Architect and NOMA member Rodney Leon is one of the designers of the Haiti Softhouse, visit his website: http://www.rodneyleon.com.
Funders/Designers/Fabricators/Partners:
Lonn Combs, AIA; Project Director / Principal
Rodney Leon, AIA and NOMA; Project Manager / Principal
Mark Parsons; Designer / Principal
Dragana Zoric, RA, RLA; Architect / Principal
Jun Pak; Designer
Consulting Team:
Robert Otani, PE; Engineer
Lance Redford; Non-for-Profit Liaison
Manufacturer:
Fabric Images, Elgin Illinois
Marco Alvarez, CEO; Fabric Images
Sam Lugiano; Architecture & Design
Fabric Images – New York
Haiti SoftHouse EVENT Launch:
Deutsche Bank, the Haitian Roundtable, SIMACT Inc. and The Haitian Fund for Reconstruction invite you to attend the opening reception and fundraiser for the Haiti SoftHouse Project.
Thursday, June 3, 2010
- Deutsche Bank
- 60 Wall Street, New York, NY
- (Between William St. Pearl St.)
- 6:00pm-8:30pm
MUST RSVP for ENTRY: haitianroundtable@gmail.com
Event Details:
- 6:00pm SoftHouse Exhibition
- 6:30pm Program and Remarks by Ambassador Voltaire and Rodney Leon, The SoftHouse Group
- 7:30pm Cocktail Reception
Special Guest: Ambassador Leslie Voltaire, Chief Envoy, Permanent Mission of Haiti To the United Nations
Suggested Donation $100.00
Checks Payable to: Haiti SoftHouse C/O Rural Haiti Project
RSVP to haitianroundtable@gmail.com by June 2, 2010





















